Polestar Analytics · Pulse identity · Three concepts for review
Switch apps and the shared element does not move, redraw or resize — only the name does. Switch concepts to compare all three on the same app in the same second. What each one is arguing, in four lines, sits under the canvas.
02 What Pulse is
Pulse is the umbrella over Polestar's analytics applications. Each app answers a different question, for a different industry, for a different buyer — but they share a platform, a team and a way of thinking.
Right now three are live. More are coming, and we do not yet know what they will be called. That is the real design problem: the identity has to be finished today and still be correct for an app that does not exist yet.
Prescriber performance
Pharmaceutical commercial and field teams
Budget allocation and ROI
Retail and CPG marketing leadership
Rules and governance
Risk, compliance and the C-suite
Unknown use case
The system has to work before we know what this one is
03 Why a wordmark
04 Concept 01
No square, no mark. pulse in blue, the app's initials beside it in ink, the descriptor on a second line beneath them. The suite name is the constant; weight and colour carry the hierarchy.
The p is drawn, not set — its descender runs well past the depth the typeface gives it, down to the descriptor. That one deviation is what stops the lockup reading as ordinary type, and it is why the wordmark ships as outlines rather than live text.
One baseline for the word and the code, a second for the descriptor. Everything is type except the p's extended descender.
The blue lifts to a lighter tint so the word stays readable against near-black.
05 Concept 02
A solid blue field with the Polestar mark cut out of it. The mark is not drawn on top of the field — it is the light coming through it. The blue is the logo; the mark is the hole.
The mark runs off the right-hand edge rather than sitting politely inside, so the shape reads as a crop of something larger instead of a badge or a sticker.
The type's top edge sits on the mark's top edge, its descriptor baseline on the mark's bottom edge. The gap between mark and type is fixed.
On blue the figure and ground swap: the mark becomes the blue and the field becomes white. The shape is identical.
06 Concept 03
A square field in which the letter P appears as the channel between blue shapes. The P is never drawn — it is what is left when the blue stops. Two arms break out through the left edge, so the letter is finished by the space around the square rather than contained by it.
Identical grid to Concept 02. Only the shared element changes; the type block is set from the same three rules.
White on blue. The counter-form now reads as blue, which is the version that works best as a favicon.
07 How it extends
Four steps, no new drawing, no new decisions.